Tag Archives: fiction

Old Man Madigan

Old Man Madigan

This is an excerpt from a new short story, set in Colonial Australia, elements of the Weird playing on the edges. For the story of its creation see my blog post here.

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They rode out with the intent to kill Old Man Madigan, and the means to make it so. So they thought.

It wasn’t going to be easy of course. Madigan had been around before any of them had come to this parched and barren patch of earth. He’d been living amongst the red dust and scrub through droughts and fires and famine. He was a survivor was Old Man Madigan, not one of them doubted that.

When the trading post had first been raised, and the telegraph station beside it, and eventually, by accretion of corrugated iron and stubborn will, a town had formed, Old Man Madigan had been there. Watching them. Separate even when he came amongst them on that skinny-ribbed nag of his.

The rumours about him had been passed between drovers and wanderers for years. Some were plausible, others wild… most fell into that wide crack between the two. It was widely accepted that he had a thing for children. Everyone frowned on that of course – furrowed their brows and tutted amongst themselves in the public bar or on the steps of the church, glared at him when he came to town. As long as he just took the black-fellas kids it was a quiet rebuke. Excuses were made by some: She lured him, she was drunk on cheap whiskey, she weren’t that young really. In the end no one much cared what Madigan did to the little black girls in that hut well out of town. He took boys too though, and that was harder to explain.

The black-fellas weren’t stupid. Their mobs moved around, and soon enough they moved away from Old Man Madigan. When they came back it was in large groups – the men painted for war, carrying long spears, large shields, wooden clubs barbed with bone shards. Maybe that’s when Madigan got desperate. Maybe it was because the black-fellas had enough of losing their sons and daughters. Whatever it was, when Davey Thomas’ little girl went missing tongues were quick to wag and fingers were pointed into the north-east, along that narrow track that would lead to Old Man Madigan’s door.

Taking black girls was one thing, Madigan wouldn’t be the first to put a brown bastard in a black belly, but taking a pretty little town girl from a good church-going family, that was quite another. That was the sort of thing that would get folks riled.

John Ryan had been one of the first to stand on the step of the church and urge the men of the town to come together.

‘For justice,’ he’d cried, and the other men had nodded. Father O’Malley had called upon the gathered crowd to bring Old Madigan to the Lord for absolution, but Ryan had a different view of what justice would be and in the end more men had agreed with him than with a priest so new in town.

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Fact in Fiction

This morning something happened to me which was so trite and clichéd I would have been embarrassed to have written it.

Just near my house a car sped through an intersection, the passenger door swung open and a woman inside half flung herself out screaming “Help me please! Somebody help me!”. The car pulled over and I went to help, and interrupted an apparent situation of domestic violence. I convinced the driver to let the lady out of the car and he drove off. For her part, once she was out of the car, she wanted nothing from me but to get away and offers of hospitality or kindness or further assistance were declined. She went on her way and I had the sense that the situation was unresolved. I warned her he could easily come back, and sure enough when she was half a block away he did. There was no more violence and he spoke to her briefly before driving off again and she walked away. I called the police but they couldn’t do much without her reporting the incident or making a complaint against him.

I post this here because once the adrenaline had died down and my head was returning to normality my first reaction was: there’s a story in this.

Perhaps that is the life of the writer: that all the events we observe become fodder for our craft, grist for our mill.

My next reaction though was that it was too unrealistic – too clichéd! Are we supposed to believe our narrator just happens to be at that intersection, at that time? Are we supposed to believe the antagonist just drives off? That the ‘damsel’ rejects her rescuer as quickly as she rejected her attacker? And what kind of ending does this story provide. In the denouement does she return to the abusive relationship? Is the climactic intervention of our protagonist entirely pointless, merely a temporary disruption to the status quo?

It occurred to me that if this tale were to make good fiction it would need some serious amendments and revisions – perhaps some heavy re-writes.

So what role does fact have in fiction? and how beholden are we as creators of fiction to fact?

China Mieville populates his world with living cacti, scarab-headed beauties and trans-dimensional spider-gods, they move amid forests of frozen lightning, clouds of gaseous rock and cities polluted by thaumaturgic effluent, and yet they work because there are some facts that make them relatable. People are greedy and kind and nasty and brutal and selfless and contradictory, exactly as we know them to be. They behave factually in the most fictitious setting. Lord of the Rings works for the same reason (though despite Tolkein’s objections it is easier to read as a bucolic allegory of post-industrialism). Star Wars likewise: inter-stellar travel, alien races and an inexplicable Force (midichlorians be damned – The Force should not have to be explained) but amidst that a relatable human story (boy meets girl, boy likes girl, girl likes smuggler, Wookie misses out on a medal, boy is trained by a muppet backpack, boy and girl are siblings… the usual).

Conversely “Abraham Lincoln: Vampire Hunter” opened this week. If I type ‘Abraham’ into Google the auto-search function has ‘Abraham Lincoln’ as top suggestion, and ‘Abraham Lincoln Vampire Hunter’ second. Here the setting is ostensibly (in that Steam-punk / Alt-history way) a factual one. Real historical figures at a real point in history, acting out a plot of pure fiction. To what extent then do the writers owe us a ‘factual’ Lincoln. I suspect to no extent whatsoever.

And what then of the cases on the indistinct borders of these realms. What of the ‘based on an extraordinary true story films/ Films like ‘The Blindside‘ for instance, which presents the story of Sandra Bullock pulling Michael Oher out of ghetto-crack-oblivion, teaching him to play football, giving him Kathy Bates to lift his GPA and basically providing him with professional sporting success. A great story of heart-warming selflessness and triumph over adversity. To what extent did this film owe us such facts as Michael Oher’s recognised success in football pre-existing the intervention of Sandra Bullock’s character (he had achieved all-state selection and was rated 5th best lineman prospect in the country a year before he met Leigh Anne Tuohy), or that he lifted his GPA by taking online courses through Brigham Young University; scoring As in English to replace the Ds and Fs he was awarded in school?

Is the story not better if he comes into her care hopeless and becomes exceptional? Doesn’t that work better as a narrative arc? Isn’t it better fiction if his sudden success can be traced to a single inspirational speech rather than a montage of repetitive training? I think undoubtedly so.

So perhaps I will use my experience for a short story. It will be ridiculously over the top and require a great suspension of disbelief… and you will know those are the factual bits.

As TVTropes point out, reality is unrealistic, and as a famous Australian children’s author once said: “Never let the truth get in the way of a good yarn”.


The Iron Hills

Like ‘The Green Monkeys‘ and the recently published ‘A Choice of Kings‘ this is set in the same fictional world as my novel ‘Exile‘. In this instance though the time period is about a generation earlier.

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The Iron Hills

Out beyond the palisades, and the ridge of ancient earthen ramparts cut into the hillside, the flat southern fields lay furrowed but unsown. They had been kept fallow through winter, until the Airu moon had risen anew. Then the ploughmen had harnessed up their oxen and set their ploughshares to gouge long wounds into the dirt.

At night, when they returned to the taverns, or to the fire in the market square, they were welcomed and admired. A good ploughman kept his furrows straight and close so that the yield from each man’s strip would be the greater. The ploughmen would sit together and complain each night that the soil was still too hard or, if there had been rains, that it was too soft. They cursed the rocks that hid underground and dulled their ploughs. They would blame the Other Folk, the faeries and gremlins and the mischievous sprites of the fields, for all manner of misfortunes, and then, when the ale had taken its effect, they would laugh and tell tales until the sun was gone from the sky and their sleeping pallets beckoned.

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This is an unpublished Fantasy Short Story complete ate 7,000 words.


Aussie Rules Footy YA Story

This is something I wrote for a middle-school / young adult audience. I think there’s a lot of books out there that cater to this niche, Speckie Magee, being probably the most famous. It’s probably not something I’ll pursue but I am thinking about a few story ideas that would work for a Young Adult audience so I wouldn’t entirely rule it out either.

 

The Final!

They looked out across the field with the sun warming their faces like a distant fire. Today would be the day when it was decided. The Final! Mike had been waiting all year for this. He was as happy as a pig in mud!

Their opposition were the boys from over the river. Mike watched them get off their bus and file into the change-rooms. They were ants: small and weak and about to be crushed. He smiled and looked at his mate Bobby.

“Look at those donkeys,” he laughed.

“They do look scared mate,” Bobby agreed. Bobby was a gun. Mike knew as long as they had Bobby on their side they’d win today. He was an absolute star.

They were sitting on the old fence that kept the spectators off the ground. It looked magnificent out in the middle. Green grass shone proudly in the sun. The goal-posts stood tall and straight like soldiers at attention. Suddenly Mike felt the nerves. He had butterflies in his stomach and he felt like he could jump out of his skin.

“Let’s go get ready,” he suggested, as he slid off the fence. Bobby nodded and joined him.

They went into their own change-rooms and threw their bags down with a crash.

“Hey, boys. Go easy!” their coach yelled. “you nearly knocked the wall down!” Mike and Bobby laughed. “You kids have got to be the strongest under-15s that have ever played the game,” Coach added with a grin.

After they had gotten changed the coach called all the boys in for the pre-game speech.

“Right boys. We’ve played hard all season. We’ve taken it one week at a time. We’ve beaten whoever they’ve put out against us. Today there are no second chances. This is it! The big dance! The final showdown! This is what you’ve been working toward your whole life! Now we’ve all got to pitch in together to get the win today. A champion team will beat a team of champions any day, and if we don’t stick to the team-work we’ve been working on we won’t win the game. Now I don’t want to have made it this far and not go home with the chocolates! Let’s go out there and smash them boys! Let’s grind them into the dust! Let’s kill them!”

The whole team roared and Mike roared with them. Then the doors were flung open and they stampeded out into the blinding sunlight.


Chapter 3

It’s finished… well. The draft at least.

Today was  apublic holiday in Australia, and thus a rather fruitful day for me as a writer (thanks in no small part to the generosity and support of my lovely wife, who provided me with some kid-free time).

I’m at about 2,500 words for the chapter, which is a little short really. I’d like to see about 3,000 per chapter, and some mathematical OCD in me wants the chapters to be about even in length. I’ll get over that if I concentrate. Chapters should be as long as they need to be. Word counts be damned.

That said the word count for the project is at a quite pleasing 14,000 words at the end of Chapter 3 so I think I’m on track for novel length.

Below I’ve posted an excerpt from the end of Chapter 3. It’s the first real conversation between Brian and Aisha. It takes place the morning after his first shift in her kitchen. She’s invited him in for a cup of tea, for reasons he doesn’t really understand, and he’s agreed, also for reasons he doesn’t understand. We join them here just as Aisha sends her sons off to school and our main characters are left, for the first time, alone:

 

Mr Ward’s a bloke from downstairs. He’s old enough to be retired. He introduces himself to me as Arthur, but I can call him Art. He reckons everyone does. The Muslim woman calls him ‘Mr. Ward’ though.

He picks the boys up for school and just after eight there’s a little group of kids of Primary school age gathered in the driveway under Mr. Ward’s watchful eye. As well as the two boys there’s a little white girl with straggly blonde hair, probably about eight, and two Asian Muslim girls in little head-scarfs from Indonesia or something. I’d been to Bali on a footy trip once and I knew there was plenty of Muslims in Indonesia. The five of them set off with Art to school, walking in a nice neat line like they’re ducklings and he marches in front like a mother duck.

We watch them go from the balcony and then I follow her back inside, to a couple of seats in her kitchen. The door stays open again. I don’t question it.

The tea is too milky and flavoured with honey instead of sugar, but I figure I better finish it. My tummy’s empty but the kitchen smells like spicy food and I’m no good with that so I keep my mouth shut and sip my tea. She sips hers and we’re both silent. She looks out the window until we see the little procession of kids making their way along the street to school.

‘I’m Aisha,’ she says as she reaches into some high cupboard for a cigarette packet.

‘I’m Brian.’

‘Yeah, I know. You said that last night.’

She watches through her kitchen window as her neighbour walks the children from the flats to school. She offers me a smoke but I’m supposed to be quit so I wave it away. She lights hers off an electric stovetop, smokes it nervously.

‘Weird isn’t it that you’ve got a Kaden and I’ve got a Jaydin. I figured your kids’d both have Muslim names or Arab names or something,’ I say it smiling but the words sound wrong now they’re out of my head and in the air around me. ‘No offence.’

‘None taken. Kaden’s name is Islamic. It means “companion”. I named him because he came to me at a very difficult time in my life, and he is my companion, and his brother’s companion in difficult times.’ Her eyes were still out the window, but unfocussed, looking at nothing. ‘What does your son’s name mean?’

‘Dunno really,’ I shrugged. ‘Don’t suppose I thought much about it like that. My wife, my ex-wife, she just liked the sound of it and it seemed a good enough name to me. I wasn’t too fussed. Most of the names in my family are pretty normal and we figured we’d give Jaydin something a bit different. We spell it with a “Y” in the middle, “I – N” at the end. The girls’ names had a “Y” in the middle and ended in “I – N” too: “Maysin” and “Maddysin”. It was going to be a pattern, but… anyway. Just didn’t work out like that I s’pose.’ I shut up. Didn’t really know why I’d said so much, probably because I’m tired. The silence is too much for me then and I need to change the subject. ‘Old Art seems nice.’

‘He walks them to school Tuesdays’ she says absently. Her eyes haven’t come to me yet. Always they’re out the window. ‘There’s an old Turkish man in another of the flats and the two of them take turns.’ Her accent is beautiful, like she was the BBC’s Middle East correspondent. ‘The door has to stay open or people will talk,’  she says in a sudden hurry. ‘Door and blinds. I don’t want anyone saying I had you in here privately.’

‘Yeah, no worries.’

‘Not for you maybe. There’s a family in the flats next door: Muslim, like me, but not really like me… stricter, you know? It would be a worry for them.’

‘Not really their business is it who’s in your apartment?’ Her eyebrows arch in response and she looks at me properly now.

‘Never had nosy neighbours?’ she asks. I shrug gently and go back to my tea. ‘I suppose it’s not their business really, but they would make it their business. They’re very interested in me. They are concerned that my life isn’t…’ she seems to struggle for a word. Compromises. ‘Not Muslim enough I suppose.’ I set the tea down. I don’t know why she bloody invited me in the first place.

‘I’ll go.’

‘No. Please. Finish you tea.’ She smiles and it’s kinda beautiful in its own way. She puts me in mind of the princess in that Disney ‘Aladdin’ movie. I take a big scalding gulp of tea, nearly finish the lot, and lean back. A thought occurs to me.

‘Is that why you invited me up here? You want some sort of protection from me? B’cause I’m hired to guard the vacants that were vandalised. I’m happy to check in on you but…’ I trail off. She smiling again but this one’s almost mocking. ‘I say something funny?’

‘No. Not funny. Thank you, you’re a kind man to think that way, but you can guard your vacants. I have protections of my own.’ There’s something there in her words or her voice like she’s being mysterious but I’m too bloody tired to care too much about what secrets she wants to keep. My tea’s gone in another hot gulp.

‘Suit yourself then.’ I stand from the table. She watches me like I’m under inspection. Bright brown eyes with sharp focus. ‘Thanks for the cuppa.’

‘You’re most welcome. I will see you tonight. Insha’Allāh.’ I figure that’s like her version of goodbye.

‘Yeah,’ I say as I head for the door. ‘In shar a la.’ She smiles her friendly smile then and I watch the door close on it.

*

On the drive home I nearly fall asleep at a red light and the cars behind me lean on their horn until I take off. I wonder what colour Aisha’s hair is, and at home, after I’ve stripped to boxers and pulled the thick drapes over the windows and checked the 5pm alarm and gotten in deep under my doona, I fall asleep remembering her smile.


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